Every day, people contact us with that familiar note of concern in their voice. They've discovered damage to a piece they treasure, or they've inherited something that clearly needs professional attention. 

When you're searching for art restoration near me, you're not just looking for technical expertise – you're looking for people who understand the emotional weight of what you're entrusting to us.

That's exactly why Hans and Maxwell founded Orbis Conservation back in 2013. We'd both worked in the field long enough to see too many artworks receive inadequate treatment, or worse, well-meaning attempts at repair that caused more harm than good.

We wanted to create something different – a practice where every piece, whether it's worth thousands or simply priceless to its owner, receives the same level of care and attention.

From our workshop on Norman Road, we've watched London's art scene evolve dramatically over the past decade. New galleries have opened, private collections have grown, and more people than ever are discovering the joy of living with art. 

But with that growth comes responsibility. When you're dealing with art restoration near me searches, you're often catching people at a vulnerable moment – they've just realised something they care about needs help.

We approach every project the same way. Complete assessment first. No rushing to treatment before we understand exactly what we're dealing with. 

Whether it's a contemporary sculpture showing unexpected deterioration or a family portrait that's been hanging in the same spot for fifty years, each piece tells us its own story through the patterns of damage and wear.

The science behind what we do fascinates us, honestly. FTIR spectroscopy can reveal paint layers that have been hidden for centuries. Microscopic analysis shows us how artists built up their surfaces, brushstroke by brushstroke. 

But here's what we've learned after years of practice – all that technology means nothing without genuine curiosity about the artwork itself.

What drives us isn't just the technical challenge, although that's certainly part of it. It's those moments when a treatment succeeds beyond what anyone expected. When colours emerge that no one living has ever seen. 

When structural repairs allow a sculpture to be displayed safely for the first time in decades. When a client sees their restored piece and their face just lights up.

We've been privileged to work with some incredible institutions over the years. The Government Art Collection, Imperial War Museums, Somerset House – these partnerships have taught us so much about different approaches to conservation. 

But honestly, some of our most rewarding projects have been much smaller in scale. The ceramic bowl that survived the Blitz. The painting a grandmother left behind. The contemporary piece a young collector bought from their first gallery visit.

If you're searching for art restoration near me, we'd love to hear about your piece. Not because we assume it needs treatment – sometimes the best advice we can give is to leave something alone. But because every artwork deserves someone who'll take the time to understand what makes it special.